no oyes ladrar los perros

based on the short story by Juan Rulfo

The story tells the tale of an old man carrying his wounded, criminal son on his back in search of help in Mexico, as he reflects on their past and present.

WORK IN PROGRESS

3D SCULPTURE + MODELING

early specifications

All modeled – no cloth or hair simulations
To come: minimal texturing and shading – no noisy or glossy surfaces, matte

artistic style

Modeling soft shapes with hard edges, with a subtle ‘miniature’ aesthetic – simplicity, appeal.
An authentic historical depiction of character and costume.
To come: surfacing that gives the impression of large woven fabrics and papery elements that imply a small scale and a touch of aged craft by hand.

REFERENCES:

Francis Ward, Hombre Viejo, source unknown
Sir Lionel Frost Concept Art, Missing Link, Laika Studios, laika.com/our-films/missinglink/gallery
Coraline’s Father, Coraline, Laika Studios, skwigly.co.uk/evolution-laika-interview/
Sembrador, Campesino p’urhepecha, Sourced from pinterest – pinterest.com.mx/pin/667306869760324120/
El Fotografo, featuring photographs taken by Juan Rulfo, 2017, editorialrm.com/en/producto/el-fotografo-juan-rulfo/
Still from Que Viva Mexico, Dir. Sergei Eisenstein, sourced from bampfa.org/event/que-viva-mexico-1
Still from Que Viva Mexico, Dir. Sergei Eisenstein, Sourced from pinterest -pinterest.com.mx/pin/408138784960608606/
Emiliano Zapata – Fotografía retocada en color, Sourced from pinterest – pinterest.com.mx/pin/449797081512241552/